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Meryll Soriano + Culion #cinematography #culionmovie @planetumeboshi
Dia de Muertos #cinematography
NOT VISUAL NOISE Sunday, 24 Nov 2019, 5 PM Ateneo Art Gallery Curated by artist, writer, cultural organizer, and educator, Angel Velasco Shaw, Not Visual Noise is a seminal photography exhibition that will feature more than 30 artists living in the Philippines and in the Filipino diaspora. It aims to showcase a diverse range of artists engaged in photography-based art practices whose works broadly represent what is happening in the fields of photography today — from photojournalism, long-form documentary photography to conceptual and installation photography, and web/social media-based projects. The exhibition examines the tension between high/low culture and high/low art photography in a media-saturated world in the hopes of drawing in wider and newer audiences. Featured artists in this exhibition are National Artist Benedicto “Bencab” Cabrera, Ezra Acayan, Alex Baluyut, Ringo Bunuoan, Nana Buxani, Geloy Concepcion, Geric Cruz, Kiri Dalena, Lizza May David, Neil Daza, Kawayan de Guia, Kidlat de Guia, Romina Diaz, Carlo Gabuco, Tommy Hafalla, Nap Jamir, Raffy Lerma, Marta Lovina, At Maculangan, Wawi Navarroza, Neal Oshima, Gina Osterloh, Butch Perez, Rick Rocamora, Emmanuel Santos, Lawrence Sumulong, Stephanie Syjuco, Wig Tysmans, Veejay Villafranca, Boy Yñiguez, and MM Yu. Not Visual Noise opens on 24 November 2019, Sunday, 5pm at the Fredesvinda Almeda Consunji Gallery, Ambeth R Ocampo Gallery, Elizabeth Gokongwei Gallery and Alicia P Lorenzo Gallery located at the third floor of Ateneo Art Gallery. #philippinephotography #documentaryphotography #ateneoartgallery
Camera department #cinematography
Culion #culionmovie #mmff2019 #cinematography @missizacalzado @basconetti
Write About Love #cinematography #MMFF2019 @milesocampo @tbastudiosph
Congrats Team ULAN! Asian Academy Creative Awards (Regional) winner. Best Actress in a Leading Role- Nadine Lustre Best Actor in a Leading Role- Carlo Aquino Best Cinematography- Neil Daza Best Direction (Fiction)- Irene Villamor Best Feature Film Best Original Screenplay Best Sound @ayrin @jose_liwanag https://www.asianacademycreativeawards.com/site/2019-regional-winners/
EDSA rush hour #commutinginmanila #documentary
MRT Lines #commutinginmanila #documentary

Between Grit and Gloss

title 2.001Recto. Avenida. Quiapo. Obsession in the midst of urban chaos and decay. A story from four male perspectives where the characters’ hidden desires move in parallel with their reality.

I have read Dwein Baltazar’s Gusto Kita With All My Hypothalamus many times starting from its journey from QCinema in 2016 to Cinefilipino in 2018. From the very start, Dwein and I did not want to make a glossy film. We also didn’t want another Mamay Umeng, Dwein’s first film in 2012. We shared the same observation that with all the new cameras and lenses coming out, films have a tendency to look the same. We wanted a realistic feel bordering on a documentary.

Initially, we wanted to shoot in 16mm film but budget and technical constraints dictated that we couldn’t. I almost forgot that film died years ago. I toyed with the idea of shooting with an iPhone. But I wanted a shallow depth of field so an iPhone was out of the question. All of these technical explorations were motivated by Hypothalamus’ milieu and its main characters.

When I started to do technical prep for the film, we agreed that there should be some degree of degration during and after shoot.

Degration means :

– Use really old lenses with almost no lens coating to get flares on the image.

– Work at low light condition to put grain on the image.

– Use of the location’s natural light as a main light then augment it with small artificial lights and put the characters in the shadow.

– Add more noise/grain in color grading

hypo (1 of 1)

hypo (1 of 1)-3

hypo (1 of 1)-11

Mao Fadul’s set design successfully pushed the degration on screen. Marilen Magsaysay’s color palette put the final touch to create Hypo’s realism.

The location is my turf. For years I have roamed these streets documenting its people, buildings, old theaters- day and night. I have met the characters of Hypothalamus years before while I was documenting its areas. Vendors, pimps, hookers, bar girls, the homeless, waitresses on night shift, snatchers, policemen.

I knew the grit of Hypothalamus.

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*Hypothalamus is having its international premier at the Busan International Film Festival this October.  http://www.biff.kr/eng/html/program/prog_view.asp?idx=36911&c_idx=319&sp_idx=&QueryStep=2

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